The saddest thing is that most people will find this humorous instead of serious. We’re standing right beside one another, and yet we text others instead of actually speaking to each other. Have you ever sat down and thought about how uncomfortable we now are around one another that it’s so bad that we literally pretend to be texting someone when we’re not, just so it’s less awkward to stand beside people? What’s supposed to strengthen our bonds has taken away from it. It’s time to take our faces out of our phones and notice the world, give a kind gesture to someone, and go SEE your friends instead of just texting them.
I’m going to let that sink in.
Ah yes let me just up and leave school right in between my classes so I can go see the friend 40 miles away that i’m currently texting instead of making idle chit chat with the people around me that I don’t particularly care for.
Fuck your pretentious shit.
"whines evil technology is making people antisocial its not real communication if its not face to face and im a pretentious self righteous shitbaby that asks random people on the street for the time and feels good about it"
It was meant to be! I was flipping through a catalog that came in the mail yesterday (What On Earth is the company) and saw this shirt! Since I’m going to be in the same room as RJC and Allen Leech on Thursday (not sure that I’ll get the chance to meet them) I couldn’t resist ordering this shirt for both of them! Never mind that I really couldn’t afford it, plus the rush shipping, on top of my expenses to get to the event in NYC this week! But this is what obsession does to you!
Hawaii-based photographer Christy Lee Rogers specializes in creating dreamlike photos of people underwater. Her project Reckless Unbound shows people swirling around one another while wearing colorful outfits. The photos are reminiscent of the paintings of old Baroque masters, who would often paint people floating around in heavenly realms.
Rogers creates her photos in swimming pools at night. The scenes are illuminated with bright off-camera lights, and the shoots often last two to four hours each.
Christy Lee Rogers reshapes the boundaries between contemporary photography and painting, with her series Reckless Unbound. While provoking the audience with vivacious movements and purpose, she also stirs the viewer’s memories of baroque painter Pieter Paul Rubens and his Massacre of the Innocents.
Without the use of post-production manipulation, Rogers’ works are made in-camera, on the spot, in water and at night. She applies her technique to bodies submerged in water during tropical nights in Hawaii. Through a fragile process of experimentation, she builds elaborate scenes of coalesced colours and entangled bodies that exalt the human character as one of vigour and warmth, while also capturing the beauty and vulnerability of the tragic experience that is the human condition.